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Beirut

Bourdain’s Field Notes

BEIRUT, June 2015—In 2006 I, along with my crew, had been taken off the beach by the 24th Marine Expeditionary Unit and transported to the USS Nashville and from there to Cyprus and home.

One day I was making television about eating and drinking. The next I was watching the airport I’d landed in a few days earlier being blown up across the water from my hotel window.

I came away from the experience deeply embittered, confused—and determined to make television differently than I had before. I didn’t know how I was going to do it or whether my network at the time was going to allow me, but the days of happy horseshit—the uplifting sum-up at the end of every show, the reflex inclusion of a food scene in every act—that ended right there.

The world was bigger than that. The stories more confusing, more complex, less satisfying in their resolutions. As I noted in my utterly depressing last lines of voice-over in the show we eventually put together, in the real world, good people and bad alike are often crushed under the same terrible wheel.

I didn’t feel an urge to turn into Dan Rather. Our Beirut experience did not give me delusions of being a journalist. I just saw that there were realities beyond what was on my plate, and those realities almost inevitably informed what was—or was not—for dinner. To ignore them had come to seem monstrous.

And yet I’d already fallen in love with Beirut. We all had—everyone on my crew. As soon as we’d landed, headed into town, there was a reaction I can only describe as pheromonic: The place just smelled good. Like a place we were going to love.

You learn to trust these kinds of feelings after years on the road.

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